Anatomy of a Cordings tweed jacket


March 9, 2017 by Ville Raivio

Cordings, that little shop in Piccadilly, London, sent over a most British tweed jacket for Keikari’s anatomical series. The company has been in the countrywear business since 1839, so I assumed they would know what to offer. It was time to find out about their jacket side as the jacket matches the trous from way back when Cordings was last featured. As before, the cloth is very coarse and many-coloured, heavy by today’s standards at 600 grams per metre, intended for robust wear. Individual threads come in shades of yellow, green, brown, grey, blue.

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The cut is a British collection of strong and roped shoulders, nipped waist, three buttons, hacking pockets, flared skirt, notch lapels. The lapels are on the slimmer side at 7.5 cm, with a high gorge, and sharp lines from the buttoning point onwards. A sharp V-shape under the neck leaves little room for the shirt, but does keep the wind at bay. The skirt has a long, rounded line from the buttoning point downwards, and comes flared for a bit of equestrian spirit and room for movement. Hacking pockets are another horsey detail, and a ticket pocket gives more room for the little things in our lives. The breast pocket is cut high and its edges are wide.

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In a size 38 jacket, the chest measurement is 54.5 cm inches but ithe piece curves strongly outwards. The shaping is sturdy enough not to leave billowy creases on a willowy chest. As the shoulder seam distance is 45.5 cm, I would describe the typical Cordings shoulders narrow. This is a boon for us pencil necks as most British country jackets have fat and wide shoulders, too wide for the slim Jim. As the cuff girth is just 28 cm, these are slim as well. Same goes for the sleeves on the bicep at 58 cm. In sum, Cordings is different from most countrywear makers because their regular cut is slim, but with enough space for comfortable movement.

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The wrist buttons are functioning and the buttons made from urea. The undercollar has a contrast felt and under the lapel are placed two loops for the lapel flower stem. The golden satin lining depicts scenes of hunting, fishing and other masculinely leisurely outdoor pursuits. The sleeves are finished with a contrast stripe lining. Seams are tight and straight, no loose threads can be found, the sleeveheads are high enough, patterns are matched well enough. As presumend, this is the British RTW tweed jacket I will compare all others to. Few makers offer a similar combination of the right cloth, cut and finishing.

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