![\"Interview_with_Marc_de_Luca_at_Keikari_dot_com\"](\"http:\/\/www.keikari.com\/english\/wp-content\/pictures\/2013\/05\/Interview_with_Marc_de_Luca_at_Keikari_dot_com.jpeg\")
<\/a><\/p>\nMr Marc de Luca (right) with sons Julien de Luca (left) and Charles de Luca (middle)<\/p>\n
When I was young it was clear that my father hoped that I would join the business. We spent much time together in the workshop and he showed me all the aspects of the work. My father was very happy to see me continue the business he created, and to see his grandsons interested in tailoring, too. When I was a child, my father\u2019s workshop was at home. It has always been part of my everyday life.\u00a0Continuing in the family business has always been natural to me. After my father had another workshop, I went there as soon as I came from school and I spent most of my time there, watching my father and all the people working. I began to work at the age of 16 and I’ve never stopped since.<\/p>\n
My father was a tailor so I was interested in clothing since I was a kid. But it was not just any classic style; it was masterful craftsmanship, not ready-to-\u00adwear. Today my style is classic because of the way my suits are made. I also follow the influence of fashion and streetwear. I principally gathered my knowledge of clothing in the workshop. But I also read books and magazines. And there are many blogs about men\u2019s fashion on the web. Iwear bespoke clothes when I work or whenever I want to be elegant. All my suits, jackets, trousers, coats, shirts, ties or even hats are Camps de Luca\u2019s. But I wear RTW for casual or sportswear. For the rest — shoes, bags, glasses — I like to work with other master craftsmen who work with beautiful materials, such as leather or horn.<\/p>\n
There aren\u2019t thousands of tailors around the world. There aren\u2019t more than 5 or 6 tailors who work like us in Paris. And in the rest of Europe (England and Italy), I would say no more than 15 other tailors. This makes no more than 20 high-\u00adquality tailors in Europe. Outside Europe, I don\u2019t know; anyway, I know we are very few who have this level of quality. Parisian tailors are less famous than Italians or English ones. But thanks to journalists and bloggers, people talk more and more about us. If you want to know why my clients choose me, you have to ask them. I suppose they look for someone who pays attention to them, a tailor whose know-how and craftsmanship will make them feel good in their suit. The relationship between the tailor and his client is very peculiar, intimate. But I would never talk about my clients, for instance; I never quote them.<\/p>\n The \u00abCamps de Luca\u00bb silhouette has a high armhole, a forward shoulder and high vents. These give an athletic figure to the suit. The fishmouth lapel and the teardrop pocket inside the jacket are our signatures. People can recognize a Camps de Luca suit at first sight. Of course, we adapt the shape of the suit to the client’s morphology and wishes. Attention is paid to every detail and our finishes are of high-quality (handmade stitchings and buttonholes in silk thread).<\/p>\n Signature fishmouth lapel<\/p>\n I think style is personal and shouldn\u2019t be ordered by a few so-\u00adcalled references of the last century: American actors of the 50\u2019s. Style is the result of personal research. It builds slowly and everyone can have his own reflection about style. For young people, it\u2019s easier to learn about style now than before the Internet. There are many websites and blogs about men\u2019s elegance and bespoke tailors. Creativity has no limits and can bring new ideas that mix with formalwear. Clients are now younger and come from all over the world. They are well-informed about tailors and they know exactly what they want. For me it\u2019s interesting to discuss with them, it enriches my experience. But above all, I think elegance is not only a way to wear something. It\u2019s a way to live, to behave with people. Elegance is also attention, respect, discretion.’<\/p>\n Signature teardrop cigar pocket<\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n